 Nearly three years after Kurt Cobain's death in April 1994, interest in his group, Nirvana, remains strong. The band's latest album, From The Muddy Banks Of The Wishkah, released this past October, became their fourth #1 album, and their third to enter the charts at #1. Wishkah remained in the Top 40 for six weeks, and at press time had sold close to half a million copies. Though Wishkah's stay in the Top 40 was relatively brief, its initial high placement is an indication that future releases from the band will certainly follow.
Though Nirvana has officially issued six albums, the number of non-album B-sides, compilation tracks, and other rarities the group has released is enough to comprise at least two additional albums; only a fraction of these songs appeared on the band's "odds and sods" collection, 1992's Incesticide. The release of Wishkah has sparked further conjecture about tracks that may still be left in the vaults. This article will chart the band's recording history, examining the unreleased material that is out there, in addition to looking at the market of Nirvana collectibles. Nirvana's story has been previously covered in Goldmine (December 10, '93 and May 13, '94). But it's worth going back in order to take a closer look at the band's work in the studio. Cobain was born February 20, 1967 in Aberdeen, Washington, though he spent the first six months of his life living in the neighboring town of Hoquiam. The family then moved to Aberdeen, a block away from the North Aberdeen bridge, which crosses the Wishkah riverthe same river that gave Nirvana's latest album its name. Cobain's interest in art and music was evident from a young age. Cobain's aunt, Mari Earl (then Fradenburg, the sister of Kurt's mother Wendy), recalls, "He was singing from the time he was two. He would sing Beatles songs like 'Hey Jude.' He would do anything. You could just say, 'Hey Kurt, sing this!' and he would sing it. He had a lot of charisma from a very young age" (the family taped some of these impromptu performances). Earl, a musician herself, was also the first one to put a guitar in Cobain's hand, at the age of two. "I put it in his hand, and he turned it around the other way, 'cause he was left handed," she says. "We had kind of a bond because of music." Until his early teens, Cobain's artistic interests were primarily channelled into visual art, including an attempt at claymation. Not much of this early work has been seen, though a few illustrations appeared in Northwest newspapers after Cobain's death. But he maintained his interest by playing drums in the school band, and visiting Earl in order to use her musical equipment. Earl regularly performed in area nightclubs. |